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Post-Production
Our post-production pipeline turns raw footage into polished, deliverable content — from a rough assembly cut to DCP mastering — using industry-standard tools and seasoned artists who understand what makes a film connect with audiences.
Editorial
Our editorial team guides your film from assembly cut to picture lock. We believe editing is a craft — pacing, rhythm, and performance selection are every bit as important as the footage you captured on set. We collaborate directly with directors to realize their vision while keeping one eye on audience experience.
- Offline and online editorial in Avid, Premiere Pro, or DaVinci Resolve
- Assembly cut, rough cut, director's cut, fine cut, and picture lock
- Trailer and promo cuts for marketing and festival submissions
- Multi-cam editing for live performance, events, and documentaries
- Conform and online finishing for theatrical and streaming
- Closed caption and subtitle integration (SRT, SCC, TTML formats)
Color Grading
Color is the emotional language of film. Our colorists work in DaVinci Resolve Studio on calibrated P3-D65 displays, delivering grades for theatrical (DCI P3), broadcast (Rec.709), and HDR (HDR10/Dolby Vision) simultaneously. Florida's warm, sun-drenched natural palette lends itself beautifully to cinematic grades — whether you're chasing golden-hour warmth, neon-soaked noir, or stark naturalism.
- Primary and secondary color correction and grading
- HDR10 and Dolby Vision mastering for streaming platforms
- DCI P3 theatrical grade with Rec.709 SDR conversion
- LUT creation for on-set reference monitors (dailies pipeline)
- VFX plate integration and composite grading
- Shot matching and scene continuity correction
Sound Design & Mix
Great sound is 50% of the cinematic experience. We offer a full audio post pipeline: dialogue editing and ADR, Foley, sound design, original score integration, and final mixing to Dolby Atmos, 5.1 surround, or stereo. Our deliverables meet all major broadcaster and streaming platform loudness standards (LKFS, -14 LUFS).
- Dialogue editing and cleanup using iZotope RX 10
- ADR (Automated Dialogue Replacement) recording and editorial
- Foley design and effects library sound design
- Original score integration and music supervision
- Final mix: Dolby Atmos 7.1.4, 5.1, and stereo deliverables
- M&E mix for international versioning and dubbing
- Broadcast loudness compliance (-23 LUFS EBU R128 / -24 LKFS ATSC A/85)
Visual Effects (VFX)
From invisible wire removal and sky replacements to full CG environments, our VFX team handles everything from budget-conscious indie corrections to high-end compositing. Florida's naturally dramatic skies, turquoise waters, and subtropical settings are VFX canvases in their own right — but we can take you anywhere on screen.
- Green screen / blue screen compositing (Nuke, After Effects, Fusion)
- Matte painting and digital environment extensions
- Title design and broadcast motion graphics
- Crowd duplication and set extensions
- Clean-up, paint-out, wire removal, and rig removal
- Sky replacement and environment enhancement
- De-aging and subtle digital makeup correction
Mastering & Delivery
The final step — packaging your completed film for every destination it will reach. We prepare platform-compliant delivery packages so your aggregator or distributor receives exactly what they need, first time, every time.
- DCP (Digital Cinema Package) mastering for theatrical exhibition
- IMF (Interoperable Master Format) for major streaming platforms
- ProRes 4444 / DNxHD masters for broadcast and editing
- H.264 / H.265 (HEVC) compressed deliverables for web and AVOD
- Platform-specific quality control (QC) checks
- Closed captions, subtitles, and audio description tracks